Part 2:
Selecting an Investigator
Selecting an investigator is a critically important part of this recovery process. Your choice should be based on four main criteria:
1. The person must either be a competent, ethical, hypnotist or must work with one.
2. The investigator and/or hypnotist should be well versed in the patterns of UFO abductions in order to pursue to investigation correctly, helping the subject explore his or her memories smoothly and systematically. Investigators or hypnotists with a personal agenda (New Age, Spiritual, Transformational, "Doom and Gloom,") should be avoided, unless this is precisely what you are looking for.
3. Ideally, the hypnotist should either be a therapist or work with one in order to help the abductee deal with the events that are uncovered.
4. The final criterion is subtle and elusive: The investigator and the hypnotist should be particularly sensitive, perceptive, and willing to learn, criteria that is difficult to obtain but is perhaps the most valuable of all.
At the beginning of your explorations, you must not expect immediately startling revelations. Memory can be faulty even in hypnotic regressions and at first you may not be able to tell with absolute certainty what is real and what is imaginary. You must remember that it is possible that your dreams and half-memories may turn out to be just dreams and nothing more.
Delving into half-remembered experiences can be frightening. Some people are extremely anxious about recalling what happened to them, even though they desperately want to know the truth. An experienced hypnotist knows how to control this fear and can even eliminate it by certain techniques. Under hypnosis, fear is strongest at the very beginning of an abduction, but once this threshold is crossed, fear is greatly reduced. Then curiosity and amazement can displace it among commonly reported reactions.
Remember, the decision to recover hidden memories is an extremely important one. It can lead you into an "adventure" with both positive and negative developments. It is your life and you must not be pressured into making the decision one way or the other. Whatever your choice, make sure that you have considered it carefully so that you will be most comfortable and happy with it all the years to come.
Wednesday, March 24, 2010
Friday, March 12, 2010
purposes 44.pur.0 Louis J. Sheehan, Esquire
Abductees report that alien emotional range seems to be greatly circumscribed. Why this emotional stunting is so is not known. It is possible that telepathy restricts the range of emotions that can be transmitted and/or received. Whatever the reasons, abductee narratives suggest that aliens' emotional life falls within narrow parameters. That they do have emotions is widely reported. They seem to display satisfaction, excitement, a limited form of happiness, and even a limited form of fondness. Conversely, they can become frustrated, annoyed, surprised, peeved, and even irritated. Abductees sometimes describe aliens having an extremely rudimentary sense of humor, especially when dealing with human children.
Although aliens obviously possess emotions, their feelings are not variable and expansive enough to encompass what humans rely upon for a normal quality of life. In general, abductees do not report instances when they see aliens crying, becoming enraged, expressing sincere love or unrestrained joy, fighting with each other, or having their feelings hurt. In general they do not display a complex sense of humor and abductees do not report them laughing. Virtually every emotion they display seems to exist within a narrow range. It is conceivable that stronger emotions are present but the aliens hold them rigidly in check. However, with the extremely wide range of abduction accounts now known, this seems unlikely because abductees almost never report “slip-ups” in which the aliens exhibit wider ranges of their emotions even under the most trying conditions when they have physically attacked aliens, refused to cooperate with them, actively resisted them by running, flailing, and so on.
If the aliens actually have this restricted emotional range, it has profound implications for the telepathic society in which they live. Aliens obviously have the sense of sight, but without the emotional range to gratify the senses visually, it is doubtful whether they have developed an art form based on vision. Thus, paintings, drawings, and graphics are conspicuous by their absence within the UFOs' confines. Strong color, which causes emotional reactions in humans, is almost nonexistent on the walls of UFOs. In fact, abductees report very little aesthetic sense whatsoever in their surroundings on board the UFOs. The rooms, equipment, hallways, and most apparel are functional, clinical, and devoid of artistic expression. The small gray aliens and most of the taller gray aliens dress alike (if they wear anything at all) and fashion design does not appear to be important. The exception to this is the insect-like beings who sometimes wear robes with high collars (some abductees have reported robes with a simple hem design on them). Abductees also report that these beings will sometimes also wear an "amulet" around their neck with a design on it. Whether the design or amulet is merely decorative or for another, perhaps political, social, or technological purpose is unknown.
The aliens’ lack of a nose and mouth (and with evidence of obtaining nutrition by absorption)8 suggests the absence of the entire range of sensory satisfaction in which humans indulge through the preparation and ingestion of food. The great cuisines of the world and all the lore, mythology, and day-to-day enjoyment of eating would not be a factor in the aliens’ society. Fragrances by themselves would have little or no meaning. For example, freshly mowed grass, flowers, and the entire range of earthly and animal scents would be lost on aliens.
With a restricted range of emotions--coupled with their lack of ears, noses, or mouths--their society would be more “colorless” than ours. One would expect that the range of emotion-based interactions between the aliens would be limited; events that generate enjoyment, laughter, awe, thrills, and so forth, would either be severely restricted or nonexistent. In this dull world, the texture of alien society would be “flatter” and emptier than that of human society and hence far less stimulating.
It also means that it would be difficult for them to appreciate the role that aesthetics plays in human life. This suggests that a complete understanding of human psychology may be beyond their grasp. They might remain forever outsiders, partially grasping human motivation, but unable to fully comprehend it. (But, they can still use human emotion for their own purposes as they have done so effectively in their neurologically based staring and visualization procedures.)
Thus, the world of art and aesthetics that occupies the lives of so many humans is nonexistent in an alien society. It is entirely possible that there are no art forms like painting, drawing, photography, literature, drama, and performance art. The passionate and complex world of theater, entertainment, sports, or any other area depending on the highs and low of human emotions does not exist in their world. If this is true they would live in a dull, joyless society focused on work, obedience, subservience to the group, and obedience to a structured hierarchy.
Although aliens obviously possess emotions, their feelings are not variable and expansive enough to encompass what humans rely upon for a normal quality of life. In general, abductees do not report instances when they see aliens crying, becoming enraged, expressing sincere love or unrestrained joy, fighting with each other, or having their feelings hurt. In general they do not display a complex sense of humor and abductees do not report them laughing. Virtually every emotion they display seems to exist within a narrow range. It is conceivable that stronger emotions are present but the aliens hold them rigidly in check. However, with the extremely wide range of abduction accounts now known, this seems unlikely because abductees almost never report “slip-ups” in which the aliens exhibit wider ranges of their emotions even under the most trying conditions when they have physically attacked aliens, refused to cooperate with them, actively resisted them by running, flailing, and so on.
If the aliens actually have this restricted emotional range, it has profound implications for the telepathic society in which they live. Aliens obviously have the sense of sight, but without the emotional range to gratify the senses visually, it is doubtful whether they have developed an art form based on vision. Thus, paintings, drawings, and graphics are conspicuous by their absence within the UFOs' confines. Strong color, which causes emotional reactions in humans, is almost nonexistent on the walls of UFOs. In fact, abductees report very little aesthetic sense whatsoever in their surroundings on board the UFOs. The rooms, equipment, hallways, and most apparel are functional, clinical, and devoid of artistic expression. The small gray aliens and most of the taller gray aliens dress alike (if they wear anything at all) and fashion design does not appear to be important. The exception to this is the insect-like beings who sometimes wear robes with high collars (some abductees have reported robes with a simple hem design on them). Abductees also report that these beings will sometimes also wear an "amulet" around their neck with a design on it. Whether the design or amulet is merely decorative or for another, perhaps political, social, or technological purpose is unknown.
The aliens’ lack of a nose and mouth (and with evidence of obtaining nutrition by absorption)8 suggests the absence of the entire range of sensory satisfaction in which humans indulge through the preparation and ingestion of food. The great cuisines of the world and all the lore, mythology, and day-to-day enjoyment of eating would not be a factor in the aliens’ society. Fragrances by themselves would have little or no meaning. For example, freshly mowed grass, flowers, and the entire range of earthly and animal scents would be lost on aliens.
With a restricted range of emotions--coupled with their lack of ears, noses, or mouths--their society would be more “colorless” than ours. One would expect that the range of emotion-based interactions between the aliens would be limited; events that generate enjoyment, laughter, awe, thrills, and so forth, would either be severely restricted or nonexistent. In this dull world, the texture of alien society would be “flatter” and emptier than that of human society and hence far less stimulating.
It also means that it would be difficult for them to appreciate the role that aesthetics plays in human life. This suggests that a complete understanding of human psychology may be beyond their grasp. They might remain forever outsiders, partially grasping human motivation, but unable to fully comprehend it. (But, they can still use human emotion for their own purposes as they have done so effectively in their neurologically based staring and visualization procedures.)
Thus, the world of art and aesthetics that occupies the lives of so many humans is nonexistent in an alien society. It is entirely possible that there are no art forms like painting, drawing, photography, literature, drama, and performance art. The passionate and complex world of theater, entertainment, sports, or any other area depending on the highs and low of human emotions does not exist in their world. If this is true they would live in a dull, joyless society focused on work, obedience, subservience to the group, and obedience to a structured hierarchy.
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